Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?


A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.

Tuesday, April 25, 2017

John Dunn Galley Received

Great day yesterday. I received the galley of my John Dunn book from my publisher. Which meant I had submitted the final corrections just in time. That's a relief, knowing all the correction needed had been made. Yeah, it was the first thing I checked. Those last minute corrections were made and all errors or revisions have been made and the manuscript is as good as it can get.

So I have the PDF version of the book now, and it looks great. It reads great. I have until tonight to look it over, and while doing so I have to admit a great deal of satisfaction comes over me. It's because I know how much work I put into that book, and knowing others will be able to read it, and appreciate it is something any artist in any field can understand.

So I'm on my lunch break, and I'm going back to that galley and take as much time as I can looking it over. I can't read the whole thing word for word from front to back in one day, but I can skim through it, reading parts here and there, and making sure the formatting is good. And that's what I'll do. I'll get back to the blog tomorrow.

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