Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?


A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.

Wednesday, April 26, 2017

Galley Looked Good

The only thing I found in the galley was a space in the word 'presented' in the Glossary and part of the coastline on the map seemed to be erased. The missing coastline was on the upper right corner, and mostly inconsequential. But the space in the word 'presented' was obvious, and even though it's not part of the story itself, still, it should be fixed. It's easy enough to fix.

There's always going to be something I will find that I will consider that I could have written better, but that is something that will never go away. Any book at any stage will have that. It's a pain, I'll admit, especially when it's a book I wrote, but it's just the way it is. I'll be satisfied if those places aren't straight up errors. If it's prose that could be better, that's one thing, but if it's an error, that's the killer.

I finally got Killer of Killers to the point where there are no errors. In Killer Eyes, there aren't any obvious errors, and The Vase will be error free whenever it reaches publication again. There's a couple in Second Chance unfortunately. And at this point, there are no errors in John Dunn; Heart of a Zulu. That is if the space in the word 'presented' is fixed there won't be. We'll see.

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