Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?

THE VASE

A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.




Wednesday, October 6, 2010

Great Writers



Yesterday, I talked about how Ayn Rand started a new philosophical movement. Before that, I mentioned how Robert E. Howard created a new genre. I consider both authors to be among the best of all time. Sure there's a long list of great authors. Melville, Dickens, Hemingway, and Twain are only a few off the top of my head. But how many really were as original, as unique as Rand and Howard? To actually create a new philosophy...to create a new genre...man, it doesn't get too much better than that.

As for me, I'll be happy to just get published. When/if that happens, only then will I be concerned about how my work affects the world. I hope to increase awareness for victims's rights in KOK. I hope to increase awareness for intercultural understanding in THE VASE. But that's more like an awareness day. Like the NFL last Sunday was breast cancer awareness day. All the football players wore pink to promote it. That's great. The more people who are thinking about that, the more people might get checked, and maybe some lives are saved.

But what about art for art's sake? Sure. I can remember reading Howard and being blown away by his great writing, his use of prose and poetry to bring the adventures of a prehistoric barbarian into my home. It didn't save my life, but it sure entertained me. That is something that deserves credit unto itself. Even if a life isn't saved, or health improved, great writing, great stories and great characters are worth reading.

The key is the writing. Literary agents almost always talk about "voice." And every time they try to explain what "voice" is, they really don't. They say they're looking for a great voice...a unique voice...a voice that grabs them, pulls them in, a voice that hooks them.

You know what I call it? I call it great writing. If it's good, or great writing, then you've got a good, or great voice. It's as simple as that. What a crock, this "voice" thing. Just call it what it is. That's all.

2 comments:

  1. You've made excellent points. I try to focus more on writing good or great stuff. If voice shines through, fine, terrific, I'm glad. But I'm just really doing something I love, which is to write. Any voice which may come of this may only be coincidental.

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  2. Excellent post, man. Can't think of anything more to say than that.

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