Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?

THE VASE

A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.




Tuesday, June 19, 2012

Edits are Fun, Really

I'm having a blast doing these edits on KILLER OF KILLERS. I really am. Talk about having a good time. But I knew I would. I loved doing the edits on THE VASE, too. The only real difference this time, besides being a different book, is what I mentioned yesterday. The POV thing.

I write in the third person omnipotent, and with THE VASE, it wasn't a problem. At all. But maybe I should say with those other two editors, it wasn't a problem. Because with my editors at Melange, it's like this: they want only one person's POV in a scene. That means when you are narrating in the third person, but you reveal something that only a particular person would know, like what they are thinking, then that person's POV, or point of view is the POV you are writing.

So you can't have person A thinking something, and then in the same scene you have person B thinking something. Or you can't reveal how person B is perceiving something if you've already written how person A is perceiving something. If you do, it's called "head-hopping" they say. But you can fix it if you write person B's actions or reactions from person A's perspective. In other words, you can write what person A is thinking person B is thinking. It's not as complicated as it sounds, really.

So that's what I'm learning this time around. And I'm fixing quite a bit of times that I did it. However, there are a couple times I think that it is necessary. I'm explaining it to my editors in the margins, and we'll see if they don't mind. So we'll see if the couple times I do have it will pass their inspection.

Also, I've eliminated an overuse of exclamation points and ellipses. I wanted pauses in the dialogue in many scenes, and to depict that, I used ellipses. You know. this: ... where I wanted a pause in the dialogue. They frown on that, too. Mostly they want commas there. And I have changed most of them to commas. But when I want a pause that a comma is not sufficient to depict, now I just end the sentence and begin a new one. You know, the good old-fashioned period. So that's an easy fix. Same thing with exclamation points. Easy fix. It's fixing the head-hopping that takes actual rewriting. But that's fun. Because writing is fun, and I get to revisit that with my story.

And like I've said many times in prior posts, this story is my all time favorite. I'm having a blast! (Oops, there's one of those pesky exclamation points. :)

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