Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?

THE VASE

A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.




Wednesday, February 27, 2013

Consistency and Impact

When it comes to how your characters refer to each other, like in real life, it should be natural. In The Vase, I have a lot of characters, and some of them have titles, like Professor, or Captain, and the question is how should they refer to each other. They are colleagues, but they are also friends, but not best friends. They don't hang out or anything, and may even go a year or more without having seen each other. So do they call each other by first name? Or by their titles.

I would think both, but then there's the issue of consistency, and POV narrative, and dialogue tags, and when this is all mixed together it can get confusing. The appearance of flip-flopping could happen, and that means in one scene, say a character calls the other by their title, but in another scene, or even in the same scene, it's a first name basis. That can seem inconsistent.

To correct that, I have changed it to a consistent basis, until an impacting event occurs making the characters bond and thereafter they're on a first name basis. It makes sense and eliminates inconsistencies. And it becomes better writing to boot. And that's the bottom line.

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