Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?
THE VASE
A novel by Mark M. DeRobertis
Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.
Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.
Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?
Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.
Tuesday, February 26, 2013
A Committed Editor is an Author's Best Friend
Unfortunately, a lot of writers don't want to hear criticism. It's human nature, I suppose. Who wants to hear things that are not complimentary? But the reality is that no one's perfect. You might have a great story, and your writing could very well be excellent, but there will be things that are not right about it, and you need an editor who is not afraid to tell you what you did wrong. And I mean everything you did wrong.
And there is the thing about style and taste. Some editors I've had in the past had no problem with some of the things I did in The Vase, but those things were not allowed to happen with my current editors. But still, I am glad to abide by everything, no matter how picky or even trivial they may at first appear. Because every little thing that improves my manuscript only makes it better. And what writer wouldn't want that?
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