Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?

THE VASE

A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.




Friday, February 15, 2013

Keep Trudging Through

At some point in the revision process, you just have to keep on trudging. Meaning you've fixed all the typos, plot inconsistencies, clunky sentences or even POV discrepancies. But you keep trudging though it anyway, because every time you read it through you find something else to fix regardless of how thorough you thought  you were the first half dozen times you read through it.

With Killer of Killers and The Vase, I couldn't tell you how many times I read through them, polishing up the prose, and finding clunkers here and there. But every time I did, I found more to fix. And you may as well. The manuscript only improves every time  you do, and of course you want that. It's like a maturation process. You're writing evolves, and of course, it becomes better.

So if you want your writing to be better, keep improving it. Start with what you've already written, and make it better. Then go to the next one, and the next, and you get the point.

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