Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?

THE VASE

A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.




Thursday, October 25, 2012

Revising Always Happening

I've talked about revising so much that I'm tired of it. But you better not get tired of revising. Not if you want to be a writer. Or remain a writer. Because revising is something that is always happening. Even after a book is published. It's just that there comes a time when you have to stop. You just can't keep reloading a published book over and over again. Killer of Killers was reloaded. This latest time will be the third time. And the last time. But it's a pretty clean book as a result. Very clean, I should say.

Now it's back to The Vase, and I wish I knew these POV rules when I wrote it. Cleaning up the POV or head-hopping issues in KOK was not so hard. But in The Vase, it's going to be a lot harder. The main character, Muhsin Muhabi didn't see the projections the first three times they happened, but the POV was with him. And correcting it in the way it needs to be corrected will not be easy. I mean look at it this way: how can you describe a scene that your POV character doesn't see? And if I make it so that he does see it, it changes a very important element in the story.

The whole point of that element is that Muhsin did not SEE the projections at first. Now I have to make it so that he DOES see them, so that I can describe them. But then that changes too much. So much that it ruins the point of the story. It will be a very difficult thing to fix. But we'll see how it goes.

No comments:

Post a Comment