Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?

THE VASE

A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.




Wednesday, October 3, 2012

Publishers and POV

When I submitted Killer of Killers to Melange, the acquisitions editor liked it so much he offered me a contract the next day. That was like a dream come true. But for some reason he was not the editor for the book. I was split between two other editors, one being the owner of Melange. I took that as an honor. And it went well. But what I wanted to focus on today is the issue of POV.

I may have talked about this before, but the reason I'm bringing it up again, is because the publisher who is interested in The Vase has brought up this same POV thing. Unlike Melange, he wants me to fix the POV issues before he offers the contract. He explained that they have had trouble in the past with authors who were unwilling to work them out. And now their policy is to have the authors correct those issues before the contract is even offered.

Well, Melange and I had no problems. They edited my story, brought up the POV concerns, and I fixed them in the edited version. But maybe they haven't had the hassles with their authors regarding that. I'm sure the experiences of different publishers are just that. Different. And this new publisher is doing what it needs to do, I suppose.

So why am I not submitting The Vase to Melange? Don't worry. I love Melange. They are wonderful and they have done everything that I hoped they would do. And I will certainly submit Killer Eyes to them, and my other Killer sequel, The Killers Guild, which is in the planning stage right now.

But The Vase is such a different story. Well, by definition, Melange would still be appropriate. Yet, I want to expand my experiences. I had two failed offers for The Vase as I've chronicled. Melange was a successful one, but for KOK. And since this other publisher is interested in The Vase, I want to take that journey, too. Just to see. They will be my fourth publisher. And I believe I'm a better writer, with better books for having experienced all four.

When the contract is offered, that's when I reveal who they are. Stay tuned.

No comments:

Post a Comment