Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?

THE VASE

A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.




Wednesday, May 11, 2011

Frank Miller

Getting your book made into a movie has got to be a great event for an author. Or is it? Well if you care about money, it is. But is money all you care about? (I see you nodding over there!) But seriously, there are some writers who actually care more about their stories than money.

And Frank Miller is one of them. His success began as a comic book artist, and he was a very good one. Then he went on to write comic book stories, too. His first break into Hollywood (I think) came with the screenplay he wrote for Robocop III. I don’t think that endeavor made him into a hot commodity for the big screen, because I know he went back to comics. That was his bread and butter.

And like a lot of comic book talent, he branched off into his own comic line. Big names in comics did that, like Jim Lee, (Wildcats,) and Todd McFarlane, (Spawn) to name a couple.

But Frank Miller was tops in the genre. And he had a lot of fans, one of them a Hollywood director, Robert Rodriguez, who approached Miller with an offer to make his graphic novel, Sin City, into a movie.

Now Frank Miller knows that movie people have an arrogant attitude. They believe that they are superior to comic book writers, and they think that they have to change the stories and the characters to be worthy of the big screen. And almost invariably, the stories and the characters suffer as a result.

So Frank Miller said no. He didn’t care how much money Hollywood threw at him. Money was NOT his objective. His story was ultimate in his mind. Now how about that for a writer with integrity!

But Rodriguez told Miller that not only would he not change Miller’s story, but that he would let Miller co-direct the movie so that he would know first hand that his story was not going to be stained. Only then did Miller agree. Now there’s a writer’s writer. I never did read the graphic novel. (I haven’t read a comic since my first son was born fourteen years ago.) But I saw the movie, and it sure was great.

Frank Miller. Kudos to you.

2 comments:

  1. There are some books that just shouldn't be made into movies. I will sometimes protect an awesome experience of a book by not seeing the movie.

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  2. And seeing as how it's most often the case that the movie does the book no justice, I wish more people would have that attitude!

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