Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?

THE VASE

A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.




Wednesday, April 20, 2011

Topical Issues

I’ve always believed that putting topical issues in stories was a good idea. Even an important one. But just how important is it? Can’t you just tell a story for pure entertainment? Does every story have to have a moral to it or a theme?

I would say not necessarily. I believe a story can be pure entertainment. Like Star Wars for instance. That story really had nothing to teach anyone about anything. Maybe some people can get something out of it if they wanted, but to me it was just entertainment. (The first installment, anyway.)

Another entertaining show did have a lot of topical issues imbued in the storylines. Star Trek. I can think of several episodes that focused on topical issues. And, to me, it worked.

In my stories, I also use topical issues. THE VASE involves the conflict in the Middle East. And the Middle East is rampant with topical issues. Heck, it’s a topical issue unto itself.

And in my KILLER series, I focus on murder, crime, and other timeless issues like justice, injustice, corruption, and drugs. And more drugs. And the fighting sports that are popular today are still more topical issues. The UFC, the MMA, and everything else that involves violence, mayhem, and graphic portrayals of you name it. All these topical issues are covered in both KILLER novels. But one thing of which I never lost sight was entertainment, because if a story is not entertaining, no one will read it.

So if a story loses none of its entertainment, but can teach a lesson at the same time, it's all the better, imo.

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