Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?

THE VASE

A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.




Monday, August 2, 2010

What a wonderful weave, those subplots

Subplots, don't you love them? You better, because without them the story is probably flat. It most likely lacks complexity. Subplots forge direction to your climax and they make your characters real. We see another side to them. We see other aspects of their personality. Different skills, emotions, and talents of your entire cast can be divulged in subplots.

In my WIP, I started to think I had too many subplots going on and too many characters. When I made my detour in the main plot, I started to panic about how I would connect all the dots. It put me on hold for a while. I talked about it already. But the solution is NOT to get rid of the subplots. Or the extra characters. The solution is to think harder to make them all fit together.

Sure, maybe a character or a scene can be deleted from a story if it ends up adding nothing, but whether you do or don't, you gotta make it work. You can't leave any loose ends. When your first draft is finished, one of your revision passes must focus on tying any loose ends. That includes that pesky minor character who was a thorn in the side of your MC, even if he was part of a subplot. Don't just forget about him, hoping your readers will, too. Tie that loose end.

If you throw something together that's easy to write, chances are it wont be a very interesting story.

1 comment:

  1. Yes, I enjoy subplots. But you're right, you have to tie them together at the end.

    Raymond Chandler actually admitted to leaving at least one hanging. But his writing was so good, none of his fans care. I didn't even notice it, until it was brought to my attention:D

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