Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?
THE VASE
A novel by Mark M. DeRobertis
Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.
Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.
Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?
Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.
Sunday, April 22, 2018
The Vase - Book revised
It's true that Melange - the publisher for my first book, Killer of Killers - advised me on much of what the Penumbra editor taught me. But it was Penumbra that really drilled the lessons home. And from that point on I became a much better novelist - an author who writes novels.
I went back and applied those lessons to Killer of Killers, of course, and Melange was gracious enough to allow me to do that. And since Penumbra folded, I have been going back over The Vase, time and again, revising and revising, improving the prose, and yes, even making better judgment calls on the original edits.
The Vase is being rewritten, not only in the application of the lessons I learned, but with the original intent on how the story unfolds. The editor had his own ideas, and applied them to a small degree to my story line. I made it back into the way I wanted it, with one exception. I had originally intended for Professor Weiss to relay his version of the climactic events in a flashback scene, as if the reader was experiencing the event "live". But the editor wanted the events "told" by the professor after Captain Mathias caught up to him and asked him what happened.
I think that was the better option. And the reason is because the events Weiss relays contain some controversial, or even questionable, occurrences, and when those controversial and/or questionable occurrences are told after the fact, then the reader can use his or her own judgment as to whether those event really happened the way the professor told them to the captain.
Otherwise, the reader will be experiencing the events as did Professor Weiss, and they would be more akin to seeing it as what really happened, and then there would be no questionable aspect involved.
So yeah, the editor did contribute much to that book, not only in teaching me all the current rules for writing a novel, but made the right call for that particular post climax scene.
And as I revise The Vase for the umpteenth time I am greatly improving the prose, making every single paragraph on every single page the best writing as humanly possible. It's truly a work of art at this point. I can't wait to resubmit to publishers when I'm finally done. Multiple publishers had accepted it for publication in its original state. Cant wait to see the results when I submit it now that it's a vastly superior book to what it was then.
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