Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?

THE VASE

A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.




Wednesday, May 22, 2013

Publishers Responsible for Quality

When people buy books do they prefer certain publishers over others? Well, when people buy cars, for example, it is often the case that they prefer a Ford or a Chevrolet, or a BMW, or a even a Mercedes. And when people buy clothes, they often prefer a particular brand over another, and so on. So is it the same with books?

No. With books, it's different. It's the book, not the publisher that spurs interest and sales. But even though I think it's not the same, I also think it's true that publishers are responsible for the quality of their product. Just as car makers are responsible for the quality of their cars, and if they turn out flawed, they often recall them by the thousands and fix them.

Which is what publishers should do. Firstly, a publisher won't accept a book unless they see the potential in it that will make achieving that quality possible. And if it isn't at that point yet, it certainly is the publisher's responsibility in conjunction with the author to get it there. And then the publisher should be sure, very sure, that the book is at the level of quality it needs to be when they publish it. And if mistakes are made, which may happen since no one is perfect, then you do like the car companies do. Recall those books and fix them. Or in the case of POD publishing, just reload the book.

That's one advantage POD publishers have. They don't print out books by the thousands, and then hope someone buys them. They print them as they are ordered, that is, after they are paid for. That's a good system. It's good for the publisher and the buyer, too. Even the author can have some solace that when errors are still prevalent, then they can get fixed before more books are printed. It's good for everyone.

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