Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?
THE VASE
A novel by Mark M. DeRobertis
Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.
Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.
Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?
Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.
Tuesday, May 8, 2012
Fun Part of Writing
And it is in this stage where I find parts that need to be added or deleted. When I delete something, it's usually words or sentences that were not needed. But I also add stuff that makes the story much better. And it was after I went to bed last night I realized what I needed to add and where.
There's a very important part in KILLER EYES where the bad guy, Karl Manoukian, makes a statement to the hero, Trent Smith. But near the end, the main villain, Ming Sang, makes the same statement. When I wrote it I figured it was just a coincidence that they said the same thing. But as I reread it, I realized that it's too much of a coincidence.
And so now at the beginning of the story I'm going to have Ming tell Manoukian to tell Trent Smith that statement. It will be a way she is preparing him for their eventual meeting. I know that this little bit of info is not very clear. I'm just saying that during this stage of the writing process you can really make strides in the improvement of both your writing AND the story, itself.
I know it happened big time with KILLER OF KILLERS, the first of the KILLER stories, and it happened with THE VASE, too. In fact, with THE VASE, I developed a major subplot during the revision stage. And it really makes the story three dimensional. It gives a real personality to one of the characters, when that character was only a minor player before. But now it's so much better.
I think that when you're writing your first draft, you are really just getting the canvas prepped. But when you're revising, you're filling in the color and adding the detail. Yeah, that's the artist in me speaking, but the comparison is valid, I think.
And as an artist I can tell you that when you're adding the detail, that's the most fun part of painting. So it's the same with writing. It makes sense when you think about it.
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