Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?
THE VASE
A novel by Mark M. DeRobertis
Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.
Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.
Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?
Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.
Friday, April 13, 2012
Waiting is Unavoidable
That's not to say it can't be polished up more. I've said too many times that a book is not finished with revisions until it is published. And only then will the revisions stop.
But I'm with the mind that I want my manuscript to be pretty close to the one I submitted so that when it's accepted I don't have a vastly different manuscript on hand. That's why I'm staying away from both KILLER OF KILLERS and THE VASE right now.
Yeah, I did do one read-through of KILLER OF KILLERS since it was accepted and I made some good revisions, but only in the prose here and there. That's something that can go on forever, really. And I've even made some improvements in THE VASE. But I would rather stop. I'll go through KOK when Melange is ready to edit it. And I'll get back to THE VASE when one of these publishers decide to publish it.
And since KOK is getting published, that means KILLER EYES will have a good chance of getting published, too. But I've decided to really delve into that one this summer. My method of operation has been to dedicate the summer days to writing a brand new book, and using the fall, winter and spring to revise it, and/or my other manuscipts.
But right now, with four books under the belt, I think I have enough manuscripts happening to keep me busy. After all, the more you work on them the better they get. That's why KILLER OF KILLERS is so good. And same thing with THE VASE. I've been working on them for so long, they have evolved into great books that are written very well. Believe me, there were no short cuts. It was long hours of reading, rewriting, rereading and revising. Those long hours turned into months and the months turned into years. But all that time and all that work has paid off. I'm very proud of those two books.
So I will concentrate on KILLER EYES and JOHN DUNN until I'm working with an editor for KOK and THE VASE. Yep, as good as they already are, they'll be even better when they're in print. But that's how it's supposed to be. At least, that's what I think.
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