Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?
THE VASE
A novel by Mark M. DeRobertis
Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.
Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.
Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?
Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.
Friday, December 16, 2011
Good Writing Important, but...
For instance, when I was perusing excerpts from books on that publisher's list a few days ago, I came across a few stories that had excellent writing. But as I explained in an earlier post, one of them was downright disgusting and a major turn off.
Another one, despite its good writing, could have put even the most avid reader to sleep. I mean, nothing was happening. It was about a guy on a bus. And for the first two pages, the writer described people on the bus. It's like, OK, the guy is on a bus. Now what? I didn't read any further. The author gave no reason to care about the guy or the people on that bus.
And finally, there is a point of overdoing good writing. I was reading another excerpt and I couldn't even tell you what the story was about, but the writing was so intricately worded, that it reminded me of an over-decorated Christmas tree. It occurred to me while reading that particular sample that this writer was going way overboard to prove that he could really write.
OK, but it was just too much. Tell a good story, dammit. That's the bottom line.
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