Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?

THE VASE

A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.




Wednesday, January 3, 2018

Heart of a Zulu and Second Chance already better

Since I've been revising and/or re-editing, and/or rewriting The Vase, Heart of a Zulu, and Second Chance, they are already tons better. One of the reasons is that I redid all the things my previous editors didn't want in there. For Second Chance that includes a few scenes or a few parts of a few scenes. For John Dunn, it only includes rearranging some parts, and for Second Chance it includes returning an entire scene in the beginning.

They were still great, but in my opinion, they're better and it's because they are back to the way I wanted them to be. Of course when you go over something again after a while, you always think of new ways to make it better and that's especially true for a novel. I'm making the story and the writing a lot better for the John Dunn book because I'm thinking of new ways to make it better.

For one thing, I made a bigger deal with Dunn's acquisition of the Snider breech-loading rifle than I did at first. And I made note of another Zulu chieftain who appears in the beginning and ending. I put him in the middle too, so as not to have forgotten about him, only to see him return in the end.

In Second Chance, the initial scene that shows Tony in the alley is returned. The story ends with him in the alley, and in the way it was published the reader is surprised to find him there. But now it's back and the reader will know why he's there in the end because it's where he was at the start. At the story's conclusion we return to the scene, so to speak.

With The Vase, there were all sorts of changes that I changed back to the way I wanted them. For example, when Captain Mathias and Mary Levin fight the terrorists, I had it so that the terrorists had found Mary's gun and threw it off into the night before they engaged her in a fight. That had been deleted. But now it's back and better than ever.

So yeah. For the next few months, I will keep on making these three books better. But heck, they're already much better. Well, they'll be getting better still. All the better!

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