Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?


A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.

Saturday, January 7, 2017

Rewriting The Vase

With another chance to find a publisher for The Vase, I am taking this opportunity to improve it even more than I already had over the years. Well, I'm not really rewriting The Vase. I'm just making sure all of the prose is as it should be. I've spent the past couple days reworking the first page. And a lot of that was just the first paragraph.

There was nothing wrong with the writing. It's just that it could have been better. And I'm making it better. It was the second book I had written. And it was the book where I really learned how to write a novel. I remember when I wrote my first book, Killer of Killers. I had to have my publisher republish it with a second edition, because after I learned so much with The Vase, I wanted to go back and redo Killer of Killers. I was fortunate my publisher for Killer of Killers was willing to put out a second edition. It's so much better than the first edition in terms of correct POV and such.

The Vase was good for POV and all, but the editor for that publisher had his own ideas of how to present the story, and I wasn't in full agreement. I didn't argue with him, but now that that publisher has folded, and I'm seeking a new publisher, I want to rewrite the parts that he had changed, and make them the way I had originally wanted them. Maybe not all the parts, but some anyway.

Mostly with this rewriting, I'm just maximizing the writing style. If there is something that I'm not satisfied with I will rework it and rework it until I am satisfied. After all, The Vase is the most original story of all stories. Not just stories that I had written. I mean of ALL stories ever written. No other story in film, books, or TV feature the concept of ancient historical scenes being recorded in the grooves of ancient vases. And the fact that one of those scenes is straight out of the New Testament makes the story in The Vase more intriguing that any other story you can imagine. Why? Because it presents proof that Jesus Christ really existed, and more to the point, it's proof that Jesus Christ really existed in the way that the New Testament presented him as existing.

So for those reasons, The Vase should have maximum appeal, not just to Christians, but to all peoples of the world. In fact, the main characters in The Vase are not even Christian. They are Jews and Muslims. There's just one Christian in the book, and that's the Pope, who really only makes a cameo appearance in the story's climax. So yeah, the book should appeal to all people and to all faiths of the world. Well, there are no Buddhists or Hindus, but that doesn't mean they can't enjoy the story too.

The strange thing to me is that I'm taking so long just to rewrite a single page. That's how intense I am about making this book as good as humanly possible. I did that for my Killer books and I did that for John Dunn. Actually, I may go back to the John Dunn book, because it seems that Dana of KRP is yet to have time to edit it. I submitted it last Monday, but she's not had time to get to it yet.

That means I will have more time to see if there is anything more I can do for it. I did everything I could think of already, but you never know. There's always something. I'll get back to it after I'm done revising The Vase. That is if Dana still hasn't edited it yet. And if she has, that just means I'll have one more shot at it myself.

So that's the latest update on my books. This year will be another big year for me. Can't wait.

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