Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?


A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.

Thursday, October 13, 2016

Edits Haven't Started

Edits for my John Dunn book haven't started yet, but that doesn't mean I haven't been taking every opportunity to make the writing better. I blogged about a couple things I've made better already, and twice now I've sent an improved version for editing.

I decided rather than sending every version at the time of improvement, I will send the revised version every Monday. That way I won't inundate my publisher with a new manuscript every day. I figure once a week is not too often. And besides, everyday would be too much work for me, too.

But weekly improvements until the editing begins sounds reasonable. At least it does to me. I don't know why anyone would have a problem with that. I've already learned to make the manuscript better while you can. You do it before it's published. And for my John Dunn book that means now. I have less than a month before John Dunn; Heart of a Zulu is due to be released. So that's enough time if I use the time well. It's so close to being ready, I believe it's going to be a great book.

And even at the point of editing, I'll still get another chance to make it better. That's what editing is all about. Dana let me know when she was getting ready to start the editing for Second Chance. I'm counting on her doing the same for John Dunn. Hopefully, it will be on a Tuesday, the day after I send the next improved version. We'll see.

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