Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?

THE VASE

A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart - the brilliant professor from Bethel University - or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.



Tuesday, September 2, 2014

POV 3rd Person Limited

If you are writing in 3rd person limited POV, which is the expected style of writing a novel these days, (unless you're writing in 1st person, which I hate,) then everything you write must be written in a particular character's perspective. You can jump from one character to another after a scene break, but using a character's POV includes using the names of people the POV character knows.

Meaning if your POV character happens to know the names of the other characters with whom he or she is interacting, (or fighting,) then you can use those names. This came up with my current WIP, because Trent was remembering his training at the Tokyo Dojo when he was sparring against several other senseis at the dojo. At first I didn't call those other senseis by name. I was using "his opponent" or "his foe" or "the man." But last night while rereading and revising, I realized, wait a minute. Trent had trained and worked with these guys for twenty  years. So he would know their names.

I went ahead and gave these guys names, and used them. Now against the  dozens of foes whose names he doesn't know, then they must remain nameless. And that's what 3rd person POV is about. Same thing with first person. If the POV character knows their names you use them. If he/she doesn't, then you don't. Simple as that.

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