Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?
A novel by Mark M. DeRobertis
Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.
Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.
Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart - the brilliant professor from Bethel University - or the gallant captain who now leads Kidon?
Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.
Tuesday, April 29, 2014
Bad Writing in DaVinci's Demons
So when I saw the trailers advertising the show before it came out last year, I thought it would be a great show to watch. It is entertaining to a point, and I keep watching it, but it seems I find myself shaking my head either in disgust or with complete dissatisfaction. And the reason? Bad writing.
I don't mean the dialogue. I mean the story line, and the way some of the events unfold. Take the season ending episode from last year. You have Lorenzo Medici, the top guy in the city state of Florence where DaVinci lives, and he's hired DaVinci to work for him. But he has a mistress who DaVinci happens to have a fling with, and he finds out, and then threatens to kill DaVinci. So what's the problem? Well, DaVinci had just given everything to save Medici's life, that's what. I mean the Medicis were being attacked by a rival faction, and DaVinci storms into the place, (a church of all places,) and fights off the attackers, and then carries Medici to temporary safety while fighting off several attackers at the same time. They make it to a room, where DaVinci bolts the door to keep their attackers temporarily at bay.
And Medici's response? Just as he's thanking DaVinci and offering him anything he wants, he sees a ring that he recognizes as his mistress's, and concludes (correctly) that DaVinci is fooling around with her, too, and then makes a 180 degree turn and threatens to kill him, even as their enemies are pounding on the door to break it down, so they can kill him!
To me, that made no sense at all. Again, the man was offering anything he possessed for saving his life. But hold all bets when it came to his mistress? If it was his wife DaVinci was messing around with, MAYBE then that would have worked. But it wasn't. It was a woman for hire. (To put it nicely.) And then he wants to kill DaVinci? I don't think so.
There are several other examples in that first season, I just don't have time to cover them at the moment. And now that the second season is underway, the last episode has got me shaking my head yet again. More later.