Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?

THE VASE

A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.




Monday, May 6, 2013

Killer of Killers Improved

Still not quite halfway through the re-edit of Killer of Killers, but I can say it's already a much better book. The original edit did address POV issues, but not thoroughly. After learning so much from Penumbra, it behooved me to revisit KOK, and incorporate all of that into that one. And then what? Ask Melange to republish it? Or something else? Not quite sure, but I'm considering my options.

Meanwhile, I'm awaiting the PDF print proof of The Vase, and I am expecting all of my final edits to be incorporated into that one. If they are, then The Vase is ready for publication. I believe they will be. After all, the final edits were mostly about what Penumbra was trying to drill into my head. And they finally succeeded. But I'll have to see it for myself. I expect it any day now. Will let you know.
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