Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?

THE VASE

A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.




Tuesday, April 30, 2013

Applying What I learned

I learned a lot about editing from my experiences with both Melange and Penumbra. But if I was to be objective about it, I would have to say that my experiences with The Vase at Penumbra resulted in a much better understanding of editing. And that's because Penumbra was far more strict, and had a more literal view about editing than Melange. It's probably why Penumbra publishes fewer titles per month than Melange. So it's only logical, then, that they spend more time with each title before they publish it.

There's positive and negative about that. It might take longer, but I don't care about that. Maybe I did for my first book. Being a first time published author, I was eager to see my book in print. But in the long run, that is not advisable. You want your manuscript to be the best it can be. Period. And if Penumbra implements my latest edits, (which are based on their own edits, btw,) then it will be the best it can be.

And while I'm waiting to see if they do, I'm going to apply all that I've learned to my other manuscripts. Yes, even Killer of Killers. I've already had it relaunched three times at Melange because I wasn't satisfied after it was published. At least they were cooperative, and agreed to it. But after my latest experiences with The Vase, I have found that I prefer the guidelines for writing and editing that Penumbra uses, and I want to apply those guidelines to Killer of Killers, too. I've already started. The past couple days, I've been redoing it, using Penumbra's strict POV guidelines, and other writing standards they have. It makes for better writing. The lazy writer wouldn't do that. But lazy is something I am not. And that's how you become a better writer. By taking the time to learn, and then applying what you've learned. We'll see where this leads me.

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