Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?

THE VASE

A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.




Wednesday, February 15, 2012

Publishers

So what's the single most important role of a publisher? Publishing, after all, can be done by anyone these days. In fact, a lot of people are saying that authors don't even need publishers. Authors, they say, should just self-publish. And why not? You get a better deal with royalties that way.

But I don't want to go that route. Because I think the single most important role of a publisher is selling books. If you self-publish, you have to sell your books. I read Amanda Hawking's article about how she was successful with her self-published books. She stressed the fact that she put a major effort into promoting her books. She said it took a lot of her time and a lot of effort. And now? Well, after making a name for herself, she went ahead and signed on with a publisher. She said she wanted more time to write and didn't want to have to go through that promoting effort again.

Joe Konrath is the opposite story. He was already a name through a publisher. But then he chose to go the self-publishing route. Sure it was because his publisher declined to publish his later books, so he did it himself. And he's said that he is very glad he did. But he wouldn't have if he didn't have to. That's the point.

For me, I know I can't sell anything. Well, I sold my books to publishers, if you want to look at it that way, but when it comes to selling stuff in the conventional way, I'm horrible. So that's what my publisher is for. They will take care of marketing, and they have their website, and of course, Amazon is always there. But being published by a publisher instead of being self-published, I think, is going to be an advantage out of the gate. We'll see.

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