Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?

THE VASE

A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.




Friday, January 20, 2012

Make Progress

I've been sidetracked tweaking the design for KILLER OF KILLERS, that I have made no progress the last couple days in revising John Dunn. I might have to lower that top text to the KOK cover design, but that skull face is in the way. I've trimmed it down already, and I might have to do it a little more.

But last weekend I made it halfway through the revisions of John Dunn, so maybe this weekend I can finish it. I don't want to take too long. When an editor is assigned to me for KOK, I want to focus on that. Because that will be the priority, of course, and I look forward to it.

The two editors who handled THE VASE didn't change any of the storyline, so I'm confident it won't happen with KOK, either. I'm curious as to how it will proceed. We'll see. Soon I hope.
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