Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?

THE VASE

A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.




Tuesday, November 8, 2011

Good Endings

I think the ending to a story, whether it's a book or a movie, is every bit as important as the beginning. Maybe even more important. And there are many different ways to end a story. Personally, I like happy endings. Well, they don't have to be giddy-type happy, but what I don't like is the kind of endings that make you feel like crap.

Stephen King did that in his story, THE MIST. I mean it made you feel like crap. Spoiler alert here if you haven't seen it. Monsters were killing people in this seemingly endless mist and a group of five people were trying to escape by driving through the mist in a car, but it ran out of gas. They had one gun with four bullets. So the guy takes the gun and shoots the other four people, to save them the misery of being killed by the monsters. But just after the deed was done, the U.S. army arrives to save the day.

I haven't read the book, but if it has the same ending as that movie, what's the point of that? Why did King feel the need to make his readers feel like crap? I would rather the movie ended by making me feel good. Maybe it's just me, but I don't like feeling like crap.

No, I'd rather come out of a book or a movie feeling great for the time I invested in it. I mean, is there anyone out there who likes to feel like crap? I suppose there might be stories that demand a sad ending, like LOVE STORY with Ryan O'Neil and Ali McGraw. But even though that had a sad ending, you still felt good about the story overall. It's OK if a story is like that. But THE MIST wasn't like that. It's like King just decided, "You know, I'll make everyone feel like crap at the end of this story."

On the other hand, King's Shawshank Redemption was a great ending. It made me feel good. I think it's better if endings make you feel good, even if they're sad.

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