Will iconic images recorded in the grooves of an ancient vase unite the Holy Land or rip it further apart?

THE VASE

A novel by Mark M. DeRobertis

Muhsin Muhabi is a Palestinian potter, descended from a long line of potters. His business is run from the same shop owned by his ancestors since the day his forebears moved to Nazareth. The region's conflict saw the death of his oldest son, and rogue terrorists are in the process of recruiting his youngest in their plot to assassinate the Pope and Israeli prime minister.

Professor Hiram Weiss is an art historian at Nazareth’s Bethel University. He is also a Shin Bet operative on special assignment. With the help of fellow agent, Captain Benny Mathias, he plans to destroy the gang responsible for the death of his wife and only child. He puts a bomb in the ancient vase he takes on loan from Muhsin’s Pottery Shop.

Mary Levin, the charming assistant to the director of Shin Bet, has lost a husband and most of her extended family to recurring wars and never-ending terrorism. She dedicates her life to the preservation of Israel, but to whom will she dedicate her heart? The brilliant professor from Bethel University? Or the gallant captain who now leads Kidon?

Harvey Holmes, the Sherlock of Haunted Houses, is a Hollywood TV host whose reality show just flopped. When a Lebanese restaurant owner requests his ghost-hunting services, he believes the opportunity will resurrect his career. All he has to do is exorcise the ghosts that are haunting the restaurant. It happens to be located right across the street from Muhsin’s Pottery Shop.




Monday, October 24, 2011

Chapter Length

Since I started writing novels, I have been interested in chapter length. More so than before, because when I read a novel, I never even thought about it. In KILLER OF KILLERS, I have short chapters, as few as four pages, and long chapters, as many as thirty-some pages. I know that other novels by other authors also vary in chapter length. I've read novels where chapters are as long as forty or more pages. And I've picked up books where every scene change is a new chapter, and very short ones at that.

In THE VASE, I've averaged my chapters to be about twelve pages or so, with some that do exceed twenty, and I think that's about right. But in JOHN DUNN, HEART OF A ZULU, the chapters tend to be long. The opening chapter is twenty-six pages, and some are well over thirty and even forty pages long. It makes for a book with not so many chapters.

I pick up books in the store and see books that have over FIFTY chapters! Forget that. It's like an endless chapter-filled story. My books have more like twenty chapters, or even fewer. And that's the way I think it should be. I mean if you have a new chapter after every scene break, and each chapter only three or four pages long, that makes for a lot of white space. I know white space is necessary, but I think a chapter break should be worked into the story. When you have a good place to end a chapter, then do it, but I don't think a mere scene break necessarily qualifies as a chapter break. But maybe some people disagree. That's OK.

2 comments:

  1. I wonder if it depends on the genre somewhat. Certain types of stories seem to lend themselves to a choppier style, also certain parts of stories, more so than others. Chapters just seem to be as long as they need to be - you know by whether it feels right or not.

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  2. Hi Barb.
    Yes, you can just feel where a chapter should end, and that's the best place to have it. But after every scene break? I wouldn't do it like that, but it could be a genre thing.

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