As the second book I had written, The Vase had already undergone several revisions. It was my first book to be revised with the lessons I learned from a real editor. Meaning not just a Beta reader. The editor was from the now defunct publisher Penumbra Publishing, and the lessons were vital to my future as a novelist. And with five novels under my belt at this point, it was indeed vital.
It's true that Melange - the publisher for my first book, Killer of Killers - advised me on much of what the Penumbra editor taught me. But it was Penumbra that really drilled the lessons home. And from that point on I became a much better novelist - an author who writes novels.
I went back and applied those lessons to Killer of Killers, of course, and Melange was gracious enough to allow me to do that. And since Penumbra folded, I have been going back over The Vase, time and again, revising and revising, improving the prose, and yes, even making better judgment calls on the original edits.
The Vase is being rewritten, not only in the application of the lessons I learned, but with the original intent on how the story unfolds. The editor had his own ideas, and applied them to a small degree to my story line. I made it back into the way I wanted it, with one exception. I had originally intended for Professor Weiss to relay his version of the climactic events in a flashback scene, as if the reader was experiencing the event "live". But the editor wanted the events "told" by the professor after Captain Mathias caught up to him and asked him what happened.
I think that was the better option. And the reason is because the events Weiss relays contain some controversial, or even questionable, occurrences, and when those controversial and/or questionable occurrences are told after the fact, then the reader can use his or her own judgment as to whether those event really happened the way the professor told them to the captain.
Otherwise, the reader will be experiencing the events as did Professor Weiss, and they would be more akin to seeing it as what really happened, and then there would be no questionable aspect involved.
So yeah, the editor did contribute much to that book, not only in teaching me all the current rules for writing a novel, but made the right call for that particular post climax scene.
And as I revise The Vase for the umpteenth time I am greatly improving the prose, making every single paragraph on every single page the best writing as humanly possible. It's truly a work of art at this point. I can't wait to resubmit to publishers when I'm finally done. Multiple publishers had accepted it for publication in its original state. Cant wait to see the results when I submit it now that it's a vastly superior book to what it was then.
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